CC-Dokumentation: “The Mark of Cain – On Russian Criminal Tattoos”

Über Alix Lamberts Dokumentation “Mark of Cain” die russische Kriminelle und die Bedeutung ihrer Tattoos behandelt hatte ich hier zwar schon vor über einem Jahr geschrieben, allerdings stand sie damals noch nicht, wie seit Dezember 2010, unter CC-Lizenz und auf Youtube in voller Länge zur Verfügung. Wer sie noch nicht gesehen haben sollte, hat hiermit eine unverbindliche Empfehlung für heute abend. Von Wikipedia:

The Mark of Cain documents the fading art form and “language” of Russian criminal tattoos, formerly a forbidden topic in Russia. The now vanishing practice is seen as reflecting the transition of the broader Russian society. Filmed in some of Russia’s most notorious prisons, including the fabled White Swan, the interviews with prisoners, guards, and criminologists reveal the secret language of “The Zone” and “The Code of Thieves” (Vor v zakone).

The prisoners of the Stalinist Gulag, or “Zone,” as it is called, developed a complex social structure (documented as early as the 1920s) that incorporated highly symbolic tattooing as a mark of rank. The existence of these inmates at prisons and forced labor camps was treated by the state as a deeply-kept secret. In the 1990s, Russia’s prison population exploded, with overcrowding among the worst in the world. Some estimates suggest that in the last generation over thirty million of Russia’s inmates have had tattoos even though the process is illegal inside Russian prisons.

The Mark of Cain examines every aspect of the tattooing, from the actual creation of the tattoo ink, interviews with the tattooers and soberly looks at the double-edged sword of prison tattoos. In many ways, they were needed to survive brutal Russian prisons, but mark the prisoner for life, which complicates any readmission to “normal” society they may have. Tattoos expressly identify what the convict has been convicted of, how many prisons he’s been in and what kind of criminal he is. Tattoos, essentially, tell you everything you need to know about that person without ever asking. Each tattoo represents a variety of things; cupolas on churches represent the number of convictions a convict has, epaulets tattooed on shoulders represent the rank of the individual in the crime world and so on and so forth.

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    [...] CC-Dokumentation: »The Mark of Cain« | mis­ter­honk Täto­wie­run­gen sind zu einer Mode­er­schei­nung gewor­den. Ebenso wie Stu­dios für ange­wandte Kör­per­kunst aus dem Boden schie­ßen, steigt das Ver­hält­nis zur immer popu­lä­re­ren Laser-Entfernung. Wel­che Bedeu­tung es für rus­si­sche Gefan­gene haben kann, sich täto­wie­ren zu las­sen, zeigt die­sen Doku­men­ta­tion ein­drucks­voll und ver­lei­tet viel­leicht den ein oder ande­ren dazu, sich über die eigene Kunst Gedan­ken zu machen. »The Mark of Cain docu­ments the fading art form and “lan­guage” of Rus­sian cri­mi­nal tat­toos, for­merly a for­bid­den topic in Rus­sia. The now vanis­hing prac­tice is seen as reflec­ting the tran­si­tion of the broa­der Rus­sian society. Fil­med in some of Russia’s most noto­rious pri­sons, inclu­ding the fab­led White Swan, the inter­views with pri­soners, guards, and cri­mi­no­lo­gists reveal the secret lan­guage of “The Zone” and “The Code of Thie­ves” (Vor v zakone).« [...]


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